Monday, 22 August 2011

Gardening With Weeds

Much has been written about creating wild flower meadows in recent years. Many gardening magazines infer that somehow you must be lacking in something if you don't rush out there and then and rip up your precious lawn to create the daisy and orchid studded turf depicted in medieval tapestries. There is much to be said for doing this (and I've done a few in my time too). However, the reason why most of us don't do it is purely down to lack of space and time, and also most of us still like to see a reasonably weed free patch of green grass at the centre of our gardens. Now don't get me wrong, anything that reduces the amount of chemicals used and encourages wildlife has got to be a good thing and our gardens, collectively, could - and should - make one vast nature reserve.

But why restrict yourself to wild flowers in grass? Very few articles suggest using them in herbaceous borders, or amongst shrubs, but I have been planting them like this for some years now and the results can be terrific. This flower border in the photo was taken 14 months after planting and looks very much like a traditional, English flower border. But there are some differences and those are the wild flowers intermingling with the more usual garden plants.


Purple Loosetrife, Lythrum salicifolium, grows wild in boggy places and by stream edges so seems an unlikely candidate for the border. I have found it to be a great choice which copes well with ordinary soil conditions. In the hot, dry summer we have had this year they have only grown to about half their normal height of 3-4ft but their cerise colour and longevity have still made them a worthy addition. In the photograph above they are the bright pink 'blob' in the centre, growing separately to the surrounding plants.



Here they are being grown as a companion to a bright pink ground cover rose, a combination that I'm not so keen on (even though I did plant them myself). They are a bit too strident and close in colour for my taste but others have stopped and admired them so there they remain.


I have also experimented growing them in containers where, of course, you can easily give them the moister conditions they would naturally prefer. Here, their colour makes them quite an exotic addition to the matching colour petunias, the purple leafed coleus and tropical looking (but hardy) palm.



Another reason for growing wild flowers is that, of course, they are great attractants of the local insects. A clump of the herbaceous St John's Wort, this one is Perfoliate St John's Wort, Hypericum perfoliatum, always are covered, when in flower, with bees and other beneficial, pollinating insects. The flowers are miniature versions of the shrubby Hypericum 'Hidcote' and all the better for being small. In the wild, they grow (as many wild flowers do) quite happily amongst grass and other plants. In the garden, I find they combine well with Wormwood, the tall, shrubby Artemisia.
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The pale blue flowers of the Field Scabious, Knautia arvensis, continue for months on end and combine well with most other colours. Growing them in the garden gives you the opportunity to notice them in detail. In the wild, it is less likely that you would see how the outer petals of the flower uncurl before the inner ones. Grow them with exotic looking Icelandic poppies or, like here, with tall, purple, Salvia.



Wild flowers often are generous with their flowering, not only in the quantity of blooms and their exuberance. Sometimes, they offer a 'sport'. The most common variant from the norm is white and this pure white version of scabious was a delightful bonus. I like the way the buds start off a creamy colour.


Recently, I have tried growing Lady'd Bedstraw, Galium verum. It is working quite well and the rather acid yellow looks good with lavender. In fact, this flower is all the better for propping itself up against its neighbours as it is a bit inclined (in an unlady-like way) to sprawl, otherwise.


One word of caution about introducing wild flowers into the garden: sometimes, they like garden conditions just too much. If in doubt, plant a small number of plants in an area where you can control them should they take off. I didn't do this with one of my childhood favourites, Toadflax. It took me three years of painful weeding to extract the final pieces from more delicate plants. I have gone back to admiring it where it belongs - along roadside verges and on waste ground.





And one final plea: please grow and enjoy our native, wild flowers but do source them from a reputable nursery. Apart from being illegal to dig or uproot a plant in the wild, as gardeners we are supposed to conserve plants ......

















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Saturday, 6 August 2011

Fields of Red





Everyone seems to love poppies. It doesn't matter if they are the delicate crepes of the Icelandic or big and blousy Oriental poppies - even 'though the latter so often lie sprawling across the ground, flattened by the weather or their own weight. But most loved of all are the wild scarlet poppies that create a violent red gash across acres of wheatfields.



Despite being forever linked with the trauma and sadness of the Great War, poppies refuse to lower our spirits. Perhaps they even comforted and uplifted the tortured bodies and minds of the survivors of the battlefields. The famous lines from In Flanders Field have immortalised poppies in poetry but thirty years earlier that great (but now almost unknown) British naturalist, Richard Jefferies, was eulogising "proud poppies, lords of the July fields....no abundance of them can ever make them commonplace....". How right he was.




Even the odd, single flower, struggling in a bit of dirt at the side of some waste ground, brings joy and admiration but it is, en masse, when the sight of thousands of them in flower in a cornfield stops you in your tracks and, for a moment, loses you in a heady delirium of colour.


When the steep, wild flower filled grass banks that make the 'walls' of the secret valley have given way to the flatter, arable lands and the lush water meadows and meandering river lie far below, the fields become larger and hidden by high hedgerows. The character of the secret valley is much changed up here: those unfamiliar with it would not know of its existance it is so concealed. The old field names reflect this - lower down the names end with the words 'banks', 'close', 'grounds', 'meadows', now they all end with the word 'downs' and you could be forgiven thinking that you were on vast rolling downland, for the eye leaps over the valley to more cornfields beyond. And, a few days ago, I climbed the old, timber stile that pierces the hedgerow to walk in the field known as'17 Acre Downs' to be greeted by the lords of the July fields.



However it was not the sight of crimson stretching as far as the woodland in the distance that stopped me in my tracks for there, at my feet, was a single, pure white poppy. Just one amongst tens of thousands of scarlet.



Walking further I was stopped once again, this time by some pale pink blooms, not many, just about twenty. The sight was enchanting and magical. Why here? Why so few?








Once you look closely at a poppy in flower you realise just how spectacular it is. En masse, your mind is blown by the quantity and you stop seeing them as individuals. Now, with my senses heightened I realised that a field of red poppies are made up of numerous variations even though pink and white are very rare finds. The photographs below show just a few of these: crimped, streaky, waxy, single petalled, multi petalled, plain buttoned, black cross buttoned, the variations seemed endless.













It isn't just the flower that deserves this close inspection. For the seedhead is also quite lovely. Its capsule, before ripened, the palest green with a black and cream striped lid, a black collar, encircles its tall, upright stem, covered with soft bristles. Once ripe it takes on the same golden hue of the corn crop it has invaded. Will these poppies breed true and will there be pink or white ones next year? Who knows, for the next day the field had been mown and, if not for the photographic record, could have been dismissed as a pure figment of imagination.

















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